Marina Abramovic Rhythm 0 Performansı

Le principe de cette performance intitulée rhythm o est très simple mais elle finira de manière bouleversante. марина абрамовић pronounced marǐːna abrǎːmoʋitɕ. Marina abramović serbian cyrillic.

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Marina Abramovic On Performing Rhythm 0 1974 Youtube

Marina Abramovic Rhythm Zero Performansi Xyazar

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Marina Abramovic On Rhythm 0 1974 On Vimeo

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Rhythm 0 Tarihi Olaylar

L artiste performeuse serbe marina abramović réalise en 1974 une performance risquée.

Marina abramovic rhythm 0 performansı. Her work explores body art endurance art and feminist art the relationship between performer and audience the limits of the body and the possibilities of the mind. Rhythm 0 1974 was a six hour work of performance art by serbian artist marina abramović in studio morra naples. Elle se livre entièrement au public pendant six heures. Rhythm 0 by the serbian artist marina abramovic comprises seventy two objects set out on a long table covered with a white tablecloth as well as sixty nine slides.

Marina abramović serbian cyrillic. Marina abramovic rhythm 0 performance art is similar in many ways to theatre but as abramovic has shown there are some subtle but definite differences. Among the objects on the table is a framed description of a performance piece of the same name that took place at studio morra. The work involved abramović standing still while the audience was invited to do to her whatever they wished using one of 72 objects she had placed on a table.

The slides are projected onto the gallery wall above the table from a projector which sits on a stand. Directed and edited by milica zec in the final work in the rhythm series abramovic tests the limits of performing with the public by inviting audience for. марина абрамовић pronounced marǐːna abrǎːmoʋitɕ. Born november 30 1946 is a serbian conceptual and performance artist philanthropist and art filmmaker.

Rhythm 0 1974 was a six hour work of performance art by yugoslav artist marina abramović in studio morra naples. The work involved abramović standing still while the audience was invited to do to her whatever they wished using one of 72 objects she had placed on a table. Horror within the theatre is inauthentic but at least in some cases within performance art it is real. Born november 30 1946 is a serbian performance artist her work explores the relationship between performer and audience the limits of the body and the possibilities of the mind.